Breakfast

Tonight I saw the movie Breakfast at Tiffany’s for the first time. The images of Audrey Hepburn in this film have been icons in Hollywood ever since, and I think that I can understand some of this.

The movie speaks to the American Dream, where one can aspire to reach the upper social circles despite one’s humble origins. More importantly, it is a clear representation of the romantic ideal, at least from Hollywood’s perspective. The male lead is a newly published novelist, and pursues a relationship with an eccentric socialite, who appears to be seeking money.

The ending is predictable, they end up together, as Hepburn’s character learns to accept her vulnerability. The basic plot of the movie may have cliched elements, but the movie is beautifully executed, save one major exception.

The portrayal of Mickey Rooney’s caricature of the asian neighbour upstairs is overdone, well past the point of racism. While it may not have been the recognized intent of the producers to do so, I cringed every time he was on screen. I fail to see adequate reason for this to be done the way it was. It may have been intended for comedic effect, and it may have been viewed as such when the film was released, but it brings a dark stain to an otherwise excellent film.

I think the most confusing thing about this casting choice is that it doesn’t really fit the tone of the rest of the film. Even if one was oblivious to the racism in this portrayal,the intended comedy really doesn’t mix well with the romantic plot. In the end, this was an ultimately disappointing element to an otherwise classic film.

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