I’ve seen Disney’s latest film Frozen with my kids twice now, and I’m rather pleased with the progress they have made in presenting realistic female characters.
Disney doesn’t exactly have a history of being socially progressive. Most of their films, especially from the earlier days, are filled with racist caricatures.
Aside from Mickey Mouse, Disney’s most well-known films are their Disney princesses. Most of the early ones aren’t exactly independent women.
Snow White: She does housekeeping for a household of dwarves before falling into a coma, until some passing prince gives her a kiss.
Sleeping Beauty: Aurora sleeps through a large part of the movie, until some adventurous prince comes to rescue her.
Cinderella: A house slave, who meets a prince who can’t remember what she looks like, but has one of her shoes.
The Little Mermaid: Ariel literally changes who she is, giving up her precious voice in order to be closer to her prince.
Beauty and the Beast: Belle domesticates her prince, because we can’t have someone with beastly behaviour.
Aladdin: Most of the plot revolves around who Jasmine is allowed to marry.
Pocahontas: the colonization of the New World, where a romantic involvement is created between the historic figures of Pocahontas and John Smith.
Some of the more recent films are better, in particular Tangled and Brave. But even there, there are problems. In Brave, the main disagreement and inciting incident revolves around Merida’s choice in marriage. While she remains single, it is a primary source of conflict in the film.
With two young daughters, many of these films are problematic, not the least of which is their cultural influence. A few of these films I’ve never shown my kids, and probably won’t until they’re much older.
The latest Disney film, Frozen, really ups the game. While there are other important characters, the movie is really about the relationship between two sisters, Elsa and Anna.
After Storyteller, I was really glad to watch Progess. It’s a more nuanced plot that drives character development, particularly that of Major Kira, while also revealing more about how the Bajoran government works. Not really much in the way of story arc development, but it does speak to social changes.
Progress is always seen as some shining ideal, the great leap forward. New advances in engineering allow us to build great public works, such as hydroelectric dams, or as in this episode, geothermal devices to harness power from the molten core of one of Bajor’s moons, to generate power for large groups of people. With every dam, large lakes are formed, displacing people and animals upstream. In Progress, Bajoran refugees live on the moon’s surface, and must be displaced. Because the needs of the many outweigh the needs of the few, and all that jazz. Even if it means burning down their homes first.
When I was looking for a new case for the iPad Air, I decided that I wanted a keyboard. While I do use the Apple Wireless keyboard with my iPad, it is more often connected to my Macbook, along with my wireless mouse. Also, Apple’s wireless keyboard isn’t as convenient to use when traveling, or when you’re not sitting at a desk.
There were a number of different options when I was looking, and all were in the same general price range. Some, like the ZAGG keyboards, provide extra features like keyboard illumination. This seems a little frivolous, as in most cases, the keyboard is going to be at least partially illuminated by the screen itself. Secondly, I’m a touch typist, so actually being able to see the keyboard isn’t really all that high on my list of priorities. There does have to be some raised bumps so that I can distinguish between keys to find my place of the home row.
How many times in the past few years have you heard news reports about the oncoming storm that will shut down all roads and highways, and keep everyone inside until the plows can finally dig you out? How many times has the promise of a day home from work and school been left unfulfilled, with only some light snow in place?
These days, the news reports gleefully foretell the oncoming Snowpocalypse, or a weather front about to bring Stormageddon unto us all. It seems all the weather channels want to talk about, and it carries over to radio morning shows. In some areas of North America, this is sometimes taken to ludicrous lengths:
Obviously, media coverage isn’t a sure sign of snow, just as the lack of this coverage isn’t necessarily a sign that it isn’t coming. So what’s the best way to decide if it’s really worth going out on the roads, or if it’s time to batten the hatches and stay at home? There are a few good resources that can help you judge for yourself.
Try looking outside at the street. If you live on a side street which isn’t yet plowed, it may not indicate what the major roads are like, but if it looks like your car isn’t getting down the street, it’s best to stay put.
Radar maps. This shows what kind of snowfall is currently happening in your region. Most weather sites provide a forecast, where the track of the storm is extrapolated, so you can see where the storm is likely to hit. What kind of intensity is it? Light, steady snow for hours and hours, or a short but intense dumping over just a few hours? Is it a widespread system, or narrow?
Twitter. Hashtags such as #onstorm can give general information on the storm, but it’s likely that people you follow are also talking about it. They may provide useful advice as to current road conditions. Local news and traffic radio stations also post information regarding accidents and road closures.
Remember that it’s not just snow to be concerned about. Extreme icy conditions can occur without vast quantities of snow.
If you are out and about in dangerous road conditions, try slowing down a bit. It’s extremely likely that all those cars in ditches weren’t taking the conditions into account with their driving. Give yourself lots of space to stop.
Now, if you’ll excuse me, I need to go clear the snow from my driveway. Again.
Every year in November, I make an effort to watch at least some of the Band of Brothers series. It’s not a perfect series, but it stands as a reminder of the human cost paid by those serving in the war.
This year, I watched episode 9, “Why We Fight”. In this episode, Easy Company liberates one of the satellite work camps around the Dachau concentration camp. There is some artistic license in place: Easy Company did not liberate any of the camps, although they did see Dachau after it was liberated. It’s a very emotional episode.