Ad Astra is a speculative fiction convention in the outskirts of Toronto (specifically Markham) that I’ve attended now for several years. (2012 and 2009 recaps). Last year they moved to a new hotel for the convention, and it looks like they’ve started to fix some of the problems with last year’s event.
There were fewer tracks of programming this year, which was helpful. This reduced the heavy load on the elevators from last year, and made panel decisions easier.
Panels scheduled in the smaller rooms on the lower level were a real problem for me, as the rooms seem designed to devour sound. There are no microphones or speakers, and the panelists tend to be soft spoken. I had to bail on one panel because the sounds of people in the hall were far louder than the people at the front of the room.
Book launches and readings
Book launches are always fun to attend. This year, I attended a reading by Kitchener author Suzanne Church. Suzanne read a piece from her upcoming anthology Elements, as well as a few chicken stories that the anthology editor decided didn’t fit with the anthology. They were amusing, but don’t match the tone of the rest of her work. They would probably fit in with an anthology of Derek Künsken’s stories though… He’s written about monkey assassins and clown farts lately. Which, now that I’ve mentioned it, is going to draw some strange searches to my site.
Speaking of Derek, there was also a Bundoran Press launch party for the digital editions of the Blood and Water anthology (review forthcoming), as well as one of Matthew Johnson‘s stories. A number of authors read selections from their stories in Blood and Water, including Stephanie Bedwell-Grime, Ryan McFadden, Kate Heartfield, Douglas Smith, Derek Kunsken and Julie E. Czerneda.
Julie E. Czerneda also had a reading from her new novel A Turn of Light. Something which I will have to pick up the ebook for shortly.
I didn’t attend the reading from Robert J Sawyer‘s Red Planet Blues. He will be in Kitchener later this month, when he’s not competing against other panels.
Wandering the floors of the convention, I turned a corner and almost ran into a life-size Dalek. Thankfully, it did not try and exterminate me. Later in the night, there was a group showing of the night’s episode of Doctor Who: The Rings of Akhaten. A number of Whovians were in costume (mainly the fourth and seventh Doctors), and sonic screwdrivers were waved at the projector to resolve technical issues.
The Dealer’s Room
I spent more time in the dealer’s room this year, as I was helping out at the Bundoran Press table. Sitting next to the ChiZine table was fun. Brett Savory has a sharp wit, as does the rest of the CZP posse.
This was also the first year where I didn’t walk out of the dealer’s room with a backpack full of books. Since I started using my Kobo Glo at Christmas, I have read mostly ebooks. This decision was difficult at the con. Some new releases from authors for whom I have their entire backlist signed. This was a struggle between the collector, and the reader. For now, the reader has won.
I did manage to attend a number of panels, although not as many as previous years. Ad Astra has become more of a social event for me, catching up with friends from the Internet.
This was a fun panel, and I wish that I had taken more comprehensive notes.
There was some good advice, including suggestions to look outside the traditional Western European history. Post colonialism at work.
Building an audience
This was a solo lecture featuring Rob Sawyer. A few people bailed when they realized it wasn’t a discussion between multiple panelists. There is of course a difference between a discussion and a lecture.
For the most part, Rob’s advice makes sense. You’re not trying to sell a particular book or story to everyone. Just like a particular story won’t be right for a given editor, a story can also not be right for a particular reader.
Rob instead advised the audience to sell a brand: yourself. It’s more of a soft-sale technique, where through exposure to your brand, and a continues, personal interaction, fans will buy your books. Some of the folks in the dealer’s room should have been here. Some vendors were trying the hard-sale.
How to write high fantasy
While I’m not trying to write high fantasy, I found the panel on this topic entertaining. Some good perspectives by K.W. Ramsey, Catherine Fitzsimmons, Gregory A. Wilson, and Marie Bilodeau. It did end up going a little off topic, when the panelists started discussing ways to create believable female characters with real motivations.
How do you know it’s done
This panel included Stephanie Bedwell-Grime, Gabrielle Harbowy, Marie Bilodeau, and Douglas Smith. It was a really good discussion of the merits an limitations of Heinlein’s third rule of writing, limiting the endless editing of finished work. It was really quite fun to see Gabrielle and Marie joking with each other. This is what a really good editor/author relationship is like.
I’m going to come back to this topic in a later post, after I’ve had time to organize my notes.
As interesting as this topic is, without a story driving particular research on my part, I really didn’t get much from this panel. Escape velocity requires expensive thrust, and can’t be nuclear. When in orbit, interplanetary transfers can be fast and expensive (major talk about nuclear options) or slow and efficient for non-human transport. Some interesting facts about solar sails. The guys on this panel would be great people to query with particular story questions. It’s all really great information, it’s just not very useful to me now.
While waiting for the parties to start up, I met up with Adam Shaftoe, James Bambury (who does not yet have telekinetic powers while drinking), Beverly Bambury and David Lamb for an Aliens board game. It was pretty epic. Shaftoe in particular had some awesome moments, even if the acid splash from the Alien caused someone else to fall down the elevator shaft.
The ChiZine party has an epic event. Just like the TARDIS, it must be bigger on the inside, judging by the number of people there. I bet the Doctor has stronger air conditioning though, although perhaps not as free-flowing of a bar.