Almost twenty years ago, the first episode of Deep Space Nine aired. For the first time, not one, but two Start Trek series were in first run syndication. After The Next Generation ended, Voyageur started, and again, two series of Star Trek were in first run syndication at the same time.
Deep Space Nine was a different show than the others. Most obviously, it took place on a space station, and not a starship. Unlike the other shows, where the location could shift drastically from episode to episode, in Deep Space Nine, the location remained the same, with a rotating cast of visiting characters.
When DS9 first aired, I was a big fan of TNG. While I made an effort to watch the new show, the first season was a little too slow for my liking. By the time things started happening, the serial nature of the show had developed in completely unexpected directions, I had no idea on what was going on.
In essence, I failed to watch DS9 because it was different. I had become accustomed to one-off stories with an alien of the week. I quite reasonably assumed that two or three seasons in, I should be able to pick up any random episode, and pick up exactly where I left off. I can’t even claim that I wasn’t warned. During the first episode, the merits of a linear timeline with real consequences for actions is highlighted as one of humanity’s greatest strengths.
One of DS9’s greatest strengths is paradoxically also its greatest weakness: a complex serial storyline. This kept me from watching it faithfully in the first run, but also fascinated me on DVD.
How does the series hold up today? I’ve started to watch the series again, and plan on writing my response to the show. In particular, I’m going to look at the craft of storytelling. How did the writers develop the story arcs, how effective is their characterization, and how do they deal with relevant social issues? How effectively do they integrate previous Star Trek canon? What works, and what doesn’t, from a writing perspective. While I may, from time to time, comment on some of the acting, especially when it comes to characterization, I’m not really going to comment on special effects, other than when required for story purposes. For instance, there’s this big wormhole which appears in space near Bajor. This wormhole is important for the story, but very little about the special effects associated with it matter to the story.
This also isn’t going to be a plot review, although I’m not going to hold back on any plot reveals. The show is nearly twenty years old. The statute of limitations on spoilers is long since over. Consider yourself warned. If you’re really looking for a plot recap, check out Memory Alpha.
This blog series will quite obviously take a long time to complete. Some posts will be longer than others. The first post will review the pilot episode, Emissary. It will likely be one of the longer reviews, as there is much to cover in the introduction.