I’ve seen Disney’s latest film Frozen with my kids twice now, and I’m rather pleased with the progress they have made in presenting realistic female characters.
Disney doesn’t exactly have a history of being socially progressive. Most of their films, especially from the earlier days, are filled with racist caricatures.
Aside from Mickey Mouse, Disney’s most well-known films are their Disney princesses. Most of the early ones aren’t exactly independent women.
Snow White: She does housekeeping for a household of dwarves before falling into a coma, until some passing prince gives her a kiss.
Sleeping Beauty: Aurora sleeps through a large part of the movie, until some adventurous prince comes to rescue her.
Cinderella: A house slave, who meets a prince who can’t remember what she looks like, but has one of her shoes.
The Little Mermaid: Ariel literally changes who she is, giving up her precious voice in order to be closer to her prince.
Beauty and the Beast: Belle domesticates her prince, because we can’t have someone with beastly behaviour.
Aladdin: Most of the plot revolves around who Jasmine is allowed to marry.
Pocahontas: the colonization of the New World, where a romantic involvement is created between the historic figures of Pocahontas and John Smith.
Some of the more recent films are better, in particular Tangled and Brave. But even there, there are problems. In Brave, the main disagreement and inciting incident revolves around Merida’s choice in marriage. While she remains single, it is a primary source of conflict in the film.
With two young daughters, many of these films are problematic, not the least of which is their cultural influence. A few of these films I’ve never shown my kids, and probably won’t until they’re much older.
The latest Disney film, Frozen, really ups the game. While there are other important characters, the movie is really about the relationship between two sisters, Elsa and Anna.
While Past Prologue had one main theme, loyalty, There are two primary themes in A Man Alone: relationships, and racism. The writers manage to weave together these threads while fleshing out more of the more reclusive member of the DS9 crew, Constable Odo.
Bashir and Dax
The episode opens with Doctor Bashir shamelessly flirting with Jadzia Dax, a scene which essentially repeats itself through the episode. Her response is friendly, but evasive. She explains that relationships for Trills are a little difficult, and that joined Trills attempt to “rise up” above their desires. Instead of being discouraged, Bashir, ever the optimist, decides that this means that he still has hope.
Guy Gavriel Kay’s novel Tigana was first published back in 1990, although I first read it in 1999. It has remained one of my favourite novels. I have a signed first edition hardcover, in addition to my paperback reading edition.
Tigana is a wonderful novel which examines the power of memories. The theme of remembering is woven throughout, starting with the opening prologue, where the Prince of Tigana muses on what legacy he leaves his country: “Oh, our pride. Our terrible pride. Will they remember that most about us, do you think, after we are gone?” to which his companion states that “the one they that we know with certainty is that they will remember us. Here in the peninsula, and in Ygrath, and Quileia, even west over the sea, in Barbadior and its Empire. We will leave a name” (16). The novel quickly opens to the tragedy of Brandin of Ygrath’s great wrath, where in his magic he ripped away the name and cultural heritage of the province of Tigana, such that only those born in the province can comprehend the name.