Aurora Award Finalists

The finalists for the Prix Aurora Awards has now been announced.

While I’ve only read two of the nominated works for Best English Novel so far, (Under Heaven, by Guy Gavriel Kay, and Watch, by Robert J. Sawyer), I’ve read the previous two novels in the series by Hayden Trenholm (nominated for Stealing Home, previous novels reviewed are Defining Diana and Steel Whispers.), and have attended readings by Sawyer, Trenholm and Marie Bilodeau for their nominated works.

I’m also pleased that Suzanne Church (a writer here in the Waterloo Region),  Matt Moore, and Hayden Trenholm are finalists for Best English Short Story. Sawyer is also a finalist for Best English Poem, as are Carolyn Clink, and Helen Marshall.

Douglas Smith (of whom I’ve mentioned the story Radio Nowhere from the Campus Chills anthology) has a nomination for Best English Related work for his collection of stories (Chimerascope), and John Robert Columbo and Brett Alexander Savory are finalists for the Tesseracts Fourteen anthology.

There’s a good article in the Metro News about an Ottawa based group of writers named the East Block Irregulars which includes Trenholm, Moore and Bilodeau which shows how a great group can challenge writers to excel. All of the members of the group have reason to be proud of these accomplishments.

Matt Moore holding Steel Whispers

A photo of SF writer Matt Moore holding his colleague Hayden Trenholm’s novel Steel Whispers. Both Moore and Trenholm are nominated for Best English Short Story.

Book Review: Tigana by Guy Gavriel Kay

Guy Gavriel Kay’s novel Tigana was first published back in 1990, although I first read it in 1999. It has remained one of my favourite novels. I have a signed first edition hardcover, in addition to my paperback reading edition.

Tigana is a wonderful novel which examines the power of memories. The theme of remembering is woven throughout, starting with the opening prologue, where the Prince of Tigana muses on what legacy he leaves his country: “Oh, our pride. Our terrible pride. Will they remember that most about us, do you think, after we are gone?” to which his companion states that “the one they that we know with certainty is that they will remember us. Here in the peninsula, and in Ygrath, and Quileia, even west over the sea, in Barbadior and its Empire. We will leave a name” (16). The novel quickly opens to the tragedy of Brandin of Ygrath’s great wrath, where in his magic he ripped away the name and cultural heritage of the province of Tigana, such that only those born in the province can comprehend the name.

There may be spoilers after the cut, but the book has been out for over twenty years. It’s still a worthwhile read.
Continue reading “Book Review: Tigana by Guy Gavriel Kay”

I Grew Up on Trashy Fantasy Novels

While I often write about science fiction, I actually grew up on trashy fantasy novels. Well, maybe not quite trashy. Certainly formulaic. More than one Dragonlance novel imparted a subtle grace to my bookshelves as I grew up. Seemingly the very definition of stereotypical characters, written as part of the TSR Dragonlance roleplaying game. This is certainly not to impugn the writing of Margaret Weis and Tracy Hickman. The character of Raistlin for example, provides an interesting look at the balance of morality. Long after I stopped reading the tales of Raistlin and Caramon, I’ve continued to read other series by these two.

The Rose of the Prophet trilogy was particularly memorable, and took a somewhat more nuanced approach to morality and religion, showing the power of the gods as different aspects of an integrated whole, and the quest to regain balance.

The Darksword trilogy took a different look at magic and technology, again with elements of self-sacrifice. This series was memorable for me as being my introduction to the idea of a city inside a bubble.

One of the most important novels I believe either author has written is actually Tracy Hickman’s novel The Immortals, which examines quarantine death camps for those inflicted with AIDS. This novel is actually science fiction, not fantasy, but the message it contains is a powerful message against hatred and brutality.

Other series I read growing up included Anne McCaffery’s Pern novels. In grade 6, we actually studied the Harper Hall trilogy in class, which was the first time I studied a book for class which I had already read.

I was also a fan of Raymond E. Feist’s Magician series. The Magician: Apprentice and Magician Master, as well as the Empire trilogy cowritten with Janny Wurts are still among my favourites.

David Eddings’ Belgariad was fun, although again it tended to oversimplify some things. The whole “this country is a jungle, that one is a swamp” thing sort of seemed a little like the Ice Plant Hoth, the Desert Planet Tatooine after awhile. Definitely an epic fantasy.

Among the more recent fantasy series have been those which more closely follow historical periods. Guy Gavriel Kay’s works are great. Tigana is a great novel about the importance of memory. His most recent novel, Under Heaven, is a great story influenced by Chinese history.

I certainly can’t fail to mention Jack Whyte, who has written one of the most interesting tales in the Arthurian legend, covering the span of time before Arthur is crowned king. Whyte’s novels are told mostly from the viewpoint of Merlyn, but in a way which completely avoids the use of magic, in a much more realist setting.

Under Heaven

Disclaimer: I received an advance review copy of this book from Penguin Canada

My first experience reading the work of Guy Gavriel Kay was a borrowed copy of the Fionavar Tapestry. My copy of the book has since wandered off into other hands. Later, I discovered that this author was the Guy Kay whom Christopher Tolkien acknowledged for his aid in the editing of J.R.R. Tolkien’s The Silmarillion. While the Fionavar Tapestry, and his 2007 novel Ysabel meld fantasy with modern day characters, most of Kay’s novels merge fantasy with historical fiction, and remain entirely in a fictional world.

As is often the case in his novels, Under Heaven takes place at a turning point in history. We are presented with a land that can go in different ways. The sense of nostalgia of the end of a golden age is here, and so is the sense that the future cannot be foreseen.

Kay presents the concept of balance in all things to be a central focus of Under Heaven, and this can be seen throughout the text. Many characters in the novel are paired, as if to balance the forces. When the balance is broken, things begin to fall apart. Tai’s initial act of piety, burying the bones of both sides of past battles, is emblematic of this theme of balance.

Someone with more knowledge of Chinese history than I likely has knowledge of the period of history Kay uses as the starting point for the novel. The parallels are there, I’m sure, in the broad strokes.

I enjoyed this story more than I did Ysabel. While I did not find it quite as poignant a story as Tigana, once again Kay has written another historically based fantasy. If you’ve read and liked some of Guy Gavriel Kay’s other novels, you will want to pick this one up.