To be honest, If Wishes Were Horses really didn’t capture my imagination. Manufactured crises with deus ex machina endings just don’t cut it. Still, there are some redeeming qualities in the episode, one of which is watching Bashir try to explain to Jadzia Dax why his subconscious created a version of Dax that has the single goal of seducing him.
This is a different twist on a First Contact story. Some wormhole aliens tap into the subconscious minds of the inhabitants of DS9, and take on forms from their imagination. Some hand wavy techno-babble is used, but the main point is to enable a story which uses the power of imagination, something which Odo refers to as a waste of time.
It’s an interesting idea, but doesn’t really get developed enough. Instead of focusing on the idea of a first contact story, this is really a disaster of the week type of story. If you can’t yet tell, I’m not usually a fan of this type of story, unless it can offer something exceptional in the way of character development. Sadly, there is nothing really new or novel in this episode. Bashir’s infatuation with Dax is already well established, and nothing really interesting occurs.
The Storyteller isn’t nearly as compelling of an episode as it could be. Of the two main plots, I found that of Jake and Nog to be amusing, while that of Bashir and O’Brien fell a bit short. I can understand and appreciate the message the writers were working on, but it was really poorly executed, and just didn’t work for me.
Karen Heuler’s collection of short stories, “The Inner City“, published by ChiZine, is a wonderfully bizarre set of stories. Reading the author’s biography, I learned that her dog is named Philip K. Dick, and I can see a Dickian obsession with a world out of joint, a phantom reality that hides something sinister in these stories.
The lead story, “FishWish”, is a great opening piece. Originally published in Weird Tales in 2011, it takes the standard three wishes tale in an unexpected direction, plumbing the depths of unfulfilled desires.
Also rather Dickian is “The Inner City”, from which the collection derives its name. A hidden power of distrust and chaos lies just beneath the surface of reality, directing the lives of others. Kind of reminiscent of The Adjustment Bureau, only with a much darker spin.
“Down on the Farm” touches on genetic manipulation, with a dark undercurrent. It’s a rather uncomfortable story, dipping into several unsavoury topics.
“The Escape Artist” explores the relationship with fear. Does one run from fear, or confront it? And if we face our fear, is it to overcome, or to welcome the cold embrace?
Perhaps less disturbing than some of the other stories, “The Large People” is a story with ecological concerns. Ecology tends to take a longer view on things.
“Creating Cow” has clear parallels with Frankenstein, but in this case, the creature has far fewer redeeming characteristics. I wouldn’t recommend reading this one right before lunch.
“The Difficulties of Evolution” is another little gem, which looks to our sense of humanity. The ending was quite appropriate.
There aren’t any duds in this collection, although some didn’t challenge my sense of reality as much as others. It’s a well constructed collection which follows a common theme. If you’re familiar with ChiZine, this should match your expectations.
Disclaimer: I received an advance eBook copy for review from ChiZine Publications.
Clementine isn’t the first Clockwork Century novel I’ve reviewed. I’ve been a fan of Cherie Priest since Boneshaker in 2009, and Dreadnought from 2010. I was browsing Amazon’s recommendations recently, and discovered that the Kindle edition of Clementine was under $3. It’s also available for Kobo.
Clementine is a novella. It’s shorter than your average novel, and has a relatively straightforward plot.
There are two main characters, Croggon Hainey, an airship pirate, and Maria “Belle” Boyd, a former Confederate spy turned Pinkerton agent.
Both plots converge rapidly, as they focus on the safety and recovery of a stolen airship, the Free Crow from Boneshaker, renamed Clementine, and its cargo.
While Clementine, unlike Boneshaker and Dreadnought, doesn’t have any zombies, there are other fantastical elements at play, including a super weapon with the power to destroy a city and end the decades long civil war. While the technology at play is different from the nuclear bombs which devastated Japan to end World War II, the intent is clearly the same.
The novella is fast paced, with large portions of the book occurring in airships. We get a strong sense of style in Clementine. It’s a fast paced world, with America in a long Civil War. In term of the Clockwork Century books, Clementine is not as isolated as Boneshaker, nor is it as integrated as Dreadnought. Clementine attempts to navigate in a mostly apolitical sphere. While Belle is a former Confederate spy, she works for the Pinkertons, under contract to the Union. It’s a grey area, just as her sympathies remain Confederate grey. We don’t really get to see much of the world in this book; we instead see snapshots of cities as the characters pass through. The world building depth is strongly hinted at, but not extensively explored in this novella.
As for Hainey? His motivation in the story is to reclaim the Free Crow, a symbol of his escape from slavery in the South. While his narrative isn’t quite as intriguing as is Belle’s, it complements her plot quite nicely. The two plots and viewpoint characters are well balanced. It’s dynamic, and enhances the fast plot progression. This addresses the problems with Boneshaker’s unbalanced viewpoint characters, while adding more complexity than the single protagonist in Dreadnought.
Perhaps the greatest weakness in the story is the shorter length. Clementine is half as long as either Boneshaker or Dreadnought. Cherie Priest’s writing is fast paced, leading me to read her books quickly. Sadly, this means that the book is over far too soon. This is balanced by the price of the ebook. Clementine is good value. There are also other novels released in the Clockwork Century series, which means that the story isn’t necessarily over yet.
Right after a powerful, thematic episode like A Man Alone, Babel is the first episode that really feels like a one-off episode. While it’s not completely without its redeeming factors, it doesn’t really have any big themes, nor does it really focus on any one character.
The episode begins with an overworked O’Brien working desperately to maintain DS9’s computer systems. Everything is breaking down, and everything is a priority. It’s a workload that isn’t shared with the rest of the command crew. After all, they have time to complain about how the replicators aren’t working, and are creating a horrible cup of coffee. The slackers.
Really, in this episode, O’Brien doesn’t get any respect. In fact, once he repairs the replicator, triggering the release of an aphasia virus, he is soon written out of the episode, being unable to communicate. This is actually the first of the “poor O’Brien” episodes, although his role in this episode is short.
While Past Prologue had one main theme, loyalty, There are two primary themes in A Man Alone: relationships, and racism. The writers manage to weave together these threads while fleshing out more of the more reclusive member of the DS9 crew, Constable Odo.
Bashir and Dax
The episode opens with Doctor Bashir shamelessly flirting with Jadzia Dax, a scene which essentially repeats itself through the episode. Her response is friendly, but evasive. She explains that relationships for Trills are a little difficult, and that joined Trills attempt to “rise up” above their desires. Instead of being discouraged, Bashir, ever the optimist, decides that this means that he still has hope.