Book Review: Hide Me Among the Graves by Tim Powers

I was recently browsing the shelves at my local library branch, when I noticed that the only book by Tim Powers on the shelf was On Stranger Tides. This was likely on the shelf due to one of my earlier recommendations: I had told the staff that the Pirates of the Caribbean film was loosely based on Powers’ novel. As I was checking out, I saw his most recent novel, Hide Me Among The Graves. This novel is a sequel to The Stress of Her Regard, although it doesn’t need any previous knowledge of the earlier book.

Hide Me Among the Graves book cover

This latest novel takes place a generation after the events in The Stress of Her Regard: the poets Shelley, Byron and Keats are long dead, and the Nephilim, the pre-Adamite stone creatures with vampiric tendencies have been banished, along with their poetic gifts, when a new wave of poets unknowingly invite them back.

I’m not as familiar with the works of the Rossettis as I am with those of Byron, but once again, Powers works his magic, weaving a fictional secret tale with historical records, which in some ways seems to make more sense than the original records.

 

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Book review: Enter, Night by Michael Rowe

I’m not really into the whole vampire craze. Zombies are more my style. I think I read some Anne Rice novels after Interview with a Vampire came out. The most interesting vampire literature which I’ve read would have to be The Stress of Her Regard, by Tim Powers. However, while at Ad Astra this year, I picked up a copy of Enter, Night by Michael Rowe.

Enter, Night
Enter, Night is a much darker novel. It is grittier, more immediate. It evokes a primal response. Disquiet and fear. It makes me wish that tonight wasn’t garbage night, and that I didn’t have to step out into the forbidding darkness.

Chizine Publications Pin

I think what makes Enter, Night so effective is the careful blend of the familiar with the unknown. Instead of a straight up vampire novel, it blends the vampire mythos with native legends of the wendigo. The setting of a small, remote northern Ontario town gives a sense of isolation, allowing the major characters to interact with stereotypical small town conservatism. While familiar, they aren’t the experiences of the reader, who is of course, intended to follow the returning urbanites. We are supposed to share their distaste at the ignorance, prejudice and hypocrisy in Parr’s Landing.

The theme of prejudice against the other, the fear of being different, is woven throughout the novel. Whether it is through issues of premarital sex and pregnancy, sexual orientation, or racial status, Rowe shows the pain of being different. Ironically, the true Other in the novel is a vampire, who unifies his victims. A sense of personal identity is important in the novel, and the loss of that personal individuality is crushing. This adds a much richer fabric for the story, and issues to talk about. Speculative fiction is a literature of ideas, and Rowe’s novel speaks on issues of importance.

It’s refreshing to read a vampire novel where all the traditional means of defense exist: stakes, sunlight, crosses and holy water. Churches as places of refuge, and the need for permission to enter a residence. This is another sign of the familiar, balanced by the addition of the wendigo myths. Further anchorage is provided through comics, such as the very real Tomb of Dracula series published in 1972 by Detective Comics. It roots the story in the familiar, framing our expectations.

The story has good characterization. The major characters are well fleshed out, and even minor characters have well defined motivations, often based on strong inner conflict.

After the main story, the book also contains an additional story, a historical narrative, explaining the origins of vampires in the area which became Parr’s Landing. It’s a document referenced in the main text, and provides an interesting view of history, especially regarding Canada’s colonization of the native tribes. It traces not just the history of the vampires, but also of the guilt that we should feel for the way we have treated others.

Enter, Night is clearly worthy of the Aurora nomination this year. Read it with a mind open to these ideas, but you might want to keep the lights on.